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Jumat, 18 Maret 2016

Paris Terror Suspect in Custody After Brussels Raids


Police in Brussels cornered and wounded the last Paris attacker known to have survived the Nov.13 assault on Friday, ending Europe’s biggest manhunt in years, but also raising troubling questions about whether a plot for another terror attack was in the works.

A spokesman for the Belgium federal prosecutor’s office said on Friday evening that five people were being held after the raids, according to the Associated Press, including Salah Abdeslam, a French national who is believed to have helped plot the attacks.

French President François Hollande warned Friday night that there were likely several other jihadists still at large, and that the network was “wide, extensive.” “Our fight is not finished,” he told reporters in Brussels, where EU leaders had been holed up all day discussing Europe’s migrant crisis.

He said French officials would “imminently” request Abdeslam’s extradition to France. Shortly after the arrest, President Obama called Hollande and Belgian Prime Minister Charles Michel to congratulate them on the arrest.

For Belgian and French police, Friday’s massive raid and capture came as a major relief. Abdeslam, 26, who grew up in the Brussels neighborhood of Molenbeek, had been on the run since November 13, when 10 gunmen-suicide bombers aligned to the Islamic State of Iraq and Greater Syria (ISIS) launched an assault on Paris, killing 130 people and wounding hundreds of others.

Abdeslam had not been seen since—a fact that has deeply frustrated French and Belgian officials, and embarrassed their intelligence and police services. Anti-terror police converged on Molenbeek on Friday, in an operation that continued for hours after Abdeslam’s capture, and which resulted in two other arrests.

SWAT teams in ski masks and bullet-proof helmets and masks converged on the narrow streets of Molenbeek, a low-income neighborhood largely populated by North African immigrant families. The French network BFM reported hearing three explosions in the neighborhood, although it was not clear whether they were detonated by police or those inside the buildings. Police shot the fugitive in the leg during the raid, according to Belgian media.

Abdeslam—whose older brother Brahim blew himself up in the Paris attacks—fled Paris on the night of the attacks, while the city was reeling in shock and chaos. He sent a text message to friends in Molenbeek, saying he was “in the s**t” and asking them to come rescue him from the French capital.

Read more: What to Know About Salah Abdeslam, Europe’s Most Wanted Man

His friends drove 300 miles south to collect him and drive him back to Belgium, and according to Belgian sources cited in the media there, and then passed unimpeded through three French police roadblocks on the way back, despite a national state of emergency. An abandoned suicide vest was found days later in Paris suburb, suggesting that Abdeslam might have originally intended to commit suicide during the attacks.

Five days after the Paris attacks, French police fought a fierce gun battle in the city’s suburb of Saint-Denis, killing the suspected ringleader of the November 13 assault, Abdelhamid Abaaoud, 27. That left Abdeslam as the only Paris attacker left alive.

The first clue that Europe’s most wanted man was still in the Brussels area came on Tuesday, when Belgian police raided an apartment in the southern suburb of Vorst, killing Mohammed Belkaid, 35, an Algerian living in Belgium illegally, while two other men fled the scene. Inside police found a large cache of ammunition and an ISIS flag, as well as the fingerprints of Salah Abdeslam. They also found a videotape featuring a nuclear scientist in Belgium, suggestion that the group might have been planning other operations.
There was a sense of victory among Belgian officials on Friday after Abdeslam’s capture. Within minutes, Belgium’s Secretary of State for Asylum and Migration Theo Franckens tweeted, “We got him,” an echo of President Obama’s announcement of the killing of Osama Bin Laden in 2011. The tweet was later deleted.

Still, the fact that Abdeslam was captured in the Belgian capital—despite a four-month police hunt—raised worrying questions about whether there might still be a strong network of terror operatives in Brussels, who were able to offer him support. “It means he had a lot of people he could fall back on,” Alain Winants, former intelligence chief for Belgium’s State Security Service, told TIME by phone on Friday. “If he has been apprehended, all the better.”

The capture raises questions too about Belgium’s capability in dismantling terror networks that have installed themselves in the heart of Europe’s capital. At least four of the 10 Paris attackers came from Molenbeek, just seven Metro stops from the E.U. headquarters. When TIME spent a few days in the neighborhood in January, numerous locals said they knew the Paris attackers well, and had long been aware of their increasing radicalism. In the aftermath of the raid, France’s Hollande commented that there were more people involved in the Paris attacks than initially believed.
Despite that, Molenbeek’s police chief and its mayor told TIME in January that they did not have the staff or the funds to track ISIS suspects who lived just steps from their office. The mayor’s office, in fact, looks directly across the square into the Abdeslam family apartment. “We did not have the means to prevent November 13, or the means to avoid other attacks,” Molenbeek police chief Johan Berckmans said.

Abdeslam is thought to be one of the only living attackers from two Paris assaults last year—the Charlie Hebdo attacks last January, and the November attacks. As such, he could provide a gold mine of crucial information to investigators about ISIS’s networks in Europe, and about what the organization might be plotting. Belgian officials estimate about 500 of their citizens have fought with jihadist groups in Syria and Iraq, and about 130 of those are believed have returned to Europe—including some of the Paris attackers.

Read more: Belgium Races To Plug Its Holes In The War Against Terror

EU officials and intelligence experts have said over the past few months that they fear that the Paris attacks might be a prelude to a bigger operation. “What we expect is a multicity, multitarget attack at the same moment,” Claude Moniquet, a retired veteran of France’s external intelligence service DGSE, who is based in Brussels, told TIME last January. That, he said, “will have terrible consequences.”

Secret Service Investigating Claims That Anonymous Hacked Donald Trump

investigating claims by hacker activist movement Anonymous that it uncovered personal information about Republican frontrunner Donald Trump.

“The U.S. Secret Service is aware of the Internet postings of Candidate Donald Trump’s personal information,” a spokesperson for the Secret Service confirmed to TIME. “We are working with the Federal Bureau of Investigation in this matter.”

In an animated YouTube video, an Anonymous member denounces Trump, comparing him to Adolf Hitler and saying that he would “promote an agenda of fascism and xenophobia.” The member then says Anonymous has released the Trump’s Social Security number, cell phone number and other personal details.

In the video, Anonymous also announces the beginning of what the group calls Operation White Rose, a nonviolent protest of Trump’s presidential campaign. Members will wear a single white rose to Trump rallies, a symbol of the White Rose Society, an anti-Nazi group known for its activity during Hitler’s regime.

Anonymous is a loosely affiliated group of hackers and Internet users that came to prominence during the Occupy Wall Street protests that began in 2011.

FBI Warns of Car Hacking Risk

Cars may be “increasingly vulnerable” to hacking, according to a bulletin released Thursday by the FBI and U.S. National Highway Traffic Safety Administration.

“The FBI and NHTSA are warning the general public and manufacturers—of vehicles, vehicle components, and aftermarket devices—to maintain awareness of potential issues and cyber-security threats related to connected vehicle technologies in modern vehicles,” the agencies wrote in the bulletin.

The rise of “smart” cars has made it easier for hackers to infiltrate their computer systems. The statement from federal authorities echoes previous warnings from researchers.

While there have not been any recorded incidents of a hacker taking control a moving vehicle, according to a report by CNBC, there have been several recalls in the last two years over safety concerns.

Fire-Breather Accidentally Sets Himself on Fire at High School Pep Rally

South Florida school officials said Friday that they’re investigating whether any administrator knew fire-breathing would be part of a high school pep rally Thursday, after the stuntman accidentally set himself on fire.

Video filmed in the gym at Atlantic Community High School in Delray Beach, Fla., shows the performer, Ricardo Charles, 52, engulfed in flames while sitting on an inflatable structure with a basketball hoop behind him after another stuntman jumped over him to make a dunk.


“I was shocked,” Robert Avossa, superintendent of the School District of Palm Beach County, said at a press conference Friday morning. “You don’t bring that kind of activity into a building … [especially] a school.”

Avossa said that the school district’s policy prohibits the use of pyrotechnics inside school buildings, and officials are investigating whether the principal knew that part of the pep rally would include pyrotechnics.

Charles suffered second-degree burns to his face, leg, and an arm, but is expected to be released from Delray Medical Center either Friday or Saturday.

In a press conference at the hospital Friday morning, he apologized and claimed full responsibility for the accident, saying he had not practiced enough with a new fluid he bought for the act, which unexpectedly blew back into his face: “This is what happens when you play with fire,” he told reporters.

Amazon Kindle Owners Should Download This Update Immediately



Kindle lovers, beware: there’s a mandatory update to your beloved e-reader, and if you don’t install it by March 22, you’re going to end up with a blank slate.

The update is necessary for downloading books from the cloud, accessing the Kindle Store, and use other Kindle services moving forward.

“The update will ensure their device is operating with the latest software, and that it remains compliant with continuously evolving industry standard,” says Amazon spokesperson Kinley Pearsall.

The update doesn’t affect every Kindle model. Only models from 2012 and older will need to upgrade their software. If you act before March 22, installing the upgrade is no big deal. Kindle models from 2007 through 2009 can be updated via the devices’ wireless connections before then, and models from 2010 to 2012 can update their software via Wi-Fi.

But if you miss the March 22 deadline, it will be a bigger headache. You’ll need to install the update to your e-reader manually. That means not automatically via wireless or Wi-Fi, but rather by downloading the proper software version to your computer and connecting your Kindle to your PC via a USB cable.

Watch a Panda ‘Attack’ a Video Camera

There is always a live-stream at the Chengdu Research Base of Giant Panda Breeding in China’s Sichuan province, and this week, 30 seconds featuring a panda cub lunging (playfully) at a video camera has been captured and shared by China’s largest newspaper People’s Daily. Perhaps this cub swatted away the lens because it was fed up with the constant surveillance and just wanted a little bit of privacy? We will never know. But the footage of the bear, and its playmate, is good viewing for a Friday (or any) afternoon.


Tyler Perry on The Passion, the Election, and the Oscars Controversy



The actor and director, whose films often touch on explicitly religious themes, digs into his faith with The Passion, a live musical special, airing Sunday night, that follows the last days of Jesus’ life on earth. As host and narrator, Perry joins a cast that includes Jencarlos Canela as Jesus, Trisha Yearwood as Mary, and “Kiss from a Rose” singer Seal as Pontius Pilate; the broadcast will include a procession of extras carrying a cross through the streets of New Orleans.

This live special marks something of a splashy comeback for Perry; though he appeared in the 2014 hit Gone Girl and has been writing, producing and directing his Oprah Winfrey Network series The Haves and the Have Nots, For Better or Worse, and If Loving You is Wrong, he’s been slightly less visible than usual thanks to a two-year hiatus from directing. That changes with the release of Boo! A Madea Halloween in October, and promises to change more radically as the result of what Perry describes as an artistic evolution brought on by the birth of his son.
Perry spoke to TIME about Sunday night’s TV broadcast, the controversy over the Oscars, and whether or not he’ll be making a Presidential endorsement.

What goes into hosting a story of this magnitude? Do you feel the need to put on a little extra gravitas?

For me, I’ve been doing a lot of stage work for a long time. I’m going to do my best, and be myself as much as I can to move the story along.

Talk a little bit about why this is happening in New Orleans.

I don’t know of a better backdrop than New Orleans. This city literally rose again from a liquid grave. So to have the story of Jesus Christ’s suffering and resurrection told in this city, I just thought it was perfect. And that was one of the deciding factors to me saying yes to the project.

Live TV events, from live musicals to this project, seem to be bigger than ever. As someone with a theater background, do you find this exciting?

I do find it exciting. I’m very excited about all of the shows that have come to television, from Grease to The Wiz to The Sound of Music, and now having an opportunity to do this Passion story. We were doing passion plays in church every Easter Sunday. For me, it’s the big kid in me getting a chance to go back to my youth.

Portraying Jesus and Mary onscreen would seem to have its pitfalls. How do you make sure you don’t end up inadvertently crossing a line and offending some of the faithful?

I wasn’t worried about anything other than being true to the actual story in the Bible. And once I read the script, I knew it was accurate, and once I sent it to many pastors and they saw it and thought that it was accurate, I was in. That is what is always important to me, to make sure it is true to the word of God.

Elsewhere on TV, your shows on the Oprah Winfrey Network are incredibly high-rated, more so than anything else on the channel. What, if anything, are the differences in outlook between you and Oprah?

The great thing about working with her from day one is that she is very aware of my audience and my ability to speak to my audience. She’s been to many of my shows, she knows it very well. And I think the brilliance about who she is is clearly allowing me—we talked about it early on, and she said “I just want you to do what you do. You do what you do, and I’m completely fine with that.” And that’s been great to have a partnership and a situation where there is no other expectation, other than for me to be myself. She’s been more than I can say, as far as a boss. We’d never worked together, but it’s been really wonderful; I have absolutely no complaints.

In the age of Empire and black-ish, do you have any aspiration to produce a broadcast TV show?

I tried that early on—I had a show with Chuck Lorre, right before Two and a Half Men we were working on a show. When I found out how broadcast worked, I knew that wasn’t a system that I wanted to be in. I knew that wasn’t something that would work for me. What I found is that the vision I have and the way I speak to my audience is very unique. They know my voice, and that’s why they show up by the millions. To Oprah’s credit, she understands that. To go into broadcast and have that kind of restriction on what’s being said and what the messages are, I know that wouldn’t work for my audience. The stories would not work at all.

In the past, you’ve fundraised for President Obama. Are you planning to endorse this time around?

At this point, I’m watching very, very closely. When I endorsed and got behind him, I was so excited about what was going on in politics—it was fresh, it was new, it was exciting. I’m completely disgusted by what’s going on now. It’s going to be very, very interesting to see what happens here, and who actually ends up running. I’m disgusted by the division and the hatred and the darkness, and, even if I don’t want to endorse, it would definitely make me choose the better side. To play on people’s fears and to speak to division and inequality—I’m disgusted by it.

The two-year break from movie directing you took before the upcoming Boo! A Madea Halloween was sizable, for you. What filled the gap?

Most of that was about my son [Aman, born in late 2014], and adjusting to being a father, and making sure that I had a plan and that we knew each other from birth. But what television provides me as a storyteller is great, because I get to tell the same stories for a long, long time. I just got a cake yesterday from my folks that celebrated 800 episodes of television, which was really shocking to me, because I had no idea it had been that many. Television provides this long line of storytelling, which I really love. I miss film, and even though this is a Madea movie, after working with [David] Fincher, I thought, “Wait a minute, there’s a whole other level here that I need to be paying attention to.” I felt like I went to school, working with him. You won’t be able to see it in Boo!, but in the future, you’ll see it.

I think people would be surprised that someone as hardworking and productive as you took, effectively, a paternity leave.

It was life-changing. And everything that I thought mattered didn’t. This little boy has been my healer. He has completely made me stop and see myself; I see every bit of me in him growing up. And it’s been very important for him to not only be a productive, amazing citizen, but also someone who knows the love of his father, very well and very strongly, no matter where he is and no matter where I am.

In light of the ongoing debate over diversity at the Oscars, do you feel as though any of your movies ought to have been nominated?

I don’t! Here’s my whole thing. I think the Academy should be able to vote the way they want to vote. None of that matters to me. I know there are a lot of people in Hollywood whose work depends on there being changes. But I’ve never been one to knock on the door and say, “Please let me in.” I have always tried to make my own way. I’m not really the person to speak to that because I’m not inside the system asking to be nominated or asking for anybody to pay attention to what I’m doing. What is important to me is the stories that I tell, and making sure they resonate with the audience I’m speaking to. Whether that’s important to anybody else is not really that important to me. I get it, and I completely understand how difficult it is for a lot of people of color to work in Hollywood. I 100% get it. But I do not think change comes from asking people to let you in. I think change comes by becoming owners of studios, owners of projects, owners of content.

In two of your movies, characters contract HIV after misdeeds. How do you respond to criticism of this trope?

I guess you’re talking about Temptation, and my whole thought with that was I think the point was missed. If you focus on the woman contracting HIV after being unfaithful to her husband and I was punishing her, which I’ve heard, I never once thought that. What I thought was, this is a character who was in a movie, and this was her outcome, like it has been for many people. I chose, in that situation, to tell the story. My hope in that was that it was a cautionary tale, where anyone who found themselves in that situation would think first before they threw their whole lives away. That was my point and my purpose. My intention is always from the good, no matter what other people find in it. I know that my intention is always for the good.

Does putting on an elaborate TV spectacular about the life and death of Jesus contradict Jesus’ own teachings about humility?

This may be presumptuous of me, but I think that if Christ were here in this day and age, to get his message across, rather than traveling for three years from village to village when you can get online or the internet, I think he’d be using all these tools. For me, the medium of television is being used to spread this word, and I think it’s all good and all wonderful. It’s going to be great.

What’s a lesson you’ve learned from a project that didn’t connect the way you wanted it to?

For me, I haven’t had anything that has failed. I know that may sound ridiculous, but, for me, even the ones that didn’t do as well as the others at the box office, I haven’t had one that failed in the sense that every one of them was something I was passionate about and felt very good about. If I’m telling the story, if I’m passionate, if I put it out there, and it lives and it breathes and it finds its way, I’ve found success in it.

Two Customers Are Suing Starbucks for Allegedly Underfilling Lattes



Starbucks is being sued by two California residents who claim the coffee chain knowingly underfills its lattes. Siera Strumlauf and Benjamin Robles have filed a class action lawsuit on behalf of purchasers of Starbucks lattes stating that the beverages are “approximately 25% underfilled” based on the sizes listed on the company’s menu, reports Eater.

The complaint alleges that Starbucks’ standardized latte recipe results in beverages that are smaller than the size customers are purchasing. It also says the cups themselves aren’t large enough to contain the number of fluid ounces promised. “By underfilling its lattes, thereby shortchanging its customers, Starbucks has saved countless millions of dollars in the cost of goods sold and was unjustly enriched by taking payment for more product than it delivers,” the suit says.

Read More: Starbucks Is Selling a Cherry Blossom Frappuccino

A Starbucks spokesperson told Eater that the claims are unjustified: “We are aware of the plaintiffs’ claims, which we fully believe to be without merit. We are proud to serve our customers high-quality, handcrafted and customized beverages, and we inform customers of the likelihood of variations.”

Inside Apple CEO Tim Cook’s Fight With the FBI




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The day after the massacre in San Bernardino, Calif., where Syed Rizwan Farook and Tashfeen Malik shot to death 14 people and wounded 22 others at a holiday luncheon for the county department of public health, an FBI Evidence Response Team descended on the couple’s townhouse in nearby Redlands.

They recovered, among other things, 12 pipe bombs, thousands of rounds of ammunition of several different calibers, and three cell phones: two from a dumpster behind the townhouse and one from the center console of a black Lexus IS 300 parked outside. The two phones in the trash had been crushed by the terrorists, but for whatever reason–maybe an oversight, maybe there was nothing useful on it, who knows–the third phone was intact. It was placed in the care of the Orange County Regional Computer Forensics Laboratory. When investigators booted it up–it was an iPhone 5c running iOS 9, on the Verizon network, serial number FFMNQ3MTG2DJ–the phone asked them for a four-digit pass code.

What followed was like a kid’s game of fortunately-unfortunately. Unfortunately, they didn’t have the pass code, and the person who did was dead. (Farook and Malik were killed in a shoot-out with police a few hours after the attack.) They could have tried to guess it, but the phone was set up to erase itself after 10 wrong guesses. Fortunately, the phone was Farook’s work phone, so technically it belonged to San Bernardino County. Unfortunately, the county didn’t have the pass code either, nor did it have the password for the iCloud account associated with the phone, which in the Apple security ecosystem is different from the phone’s pass code.

Review: Indie Drama Krisha Maps a Wanderer’s Return to the Family Fold



Trey Edward Shults's film is part character study, part family mystery, and part psychological horror story

What must it like to feel so foreign in your own skin, so uncertain of your place in the world, that every outside sound rings wrong in your head? To walk into a room and see a nervously unasked question on every face, as if you’d just awakened from a long, terrible trance under which, perhaps, you’d done things you can’t remember? With his debut film Krisha—shot in nine days in his parents’ house and made on a piggybank budget—writer-director Trey Edward Shults collects the ambient rays of those feelings and packs them into a single movie, one that’s part character study, part family mystery, and part psychological horror story.
The Krisha of the title is a sixtyish hippie doyenne—she’s played by Shults’s aunt, Krisha Fairchild—who has returned to the family fold after a long absence, specifically to cook Thanksgiving dinner, but more broadly, to re-enter a sphere of people who love her but aren’t sure what to do with her. In the film’s early moments we see her pulling a rolly-bag through the streets of a dead-straight suburban neighborhood, her sandaled feet slapping the pavement aggressively; with her mane of moonlight hair and layers of floaty indigo cotton, she could be a Woman Who Runs with the Wolves. Her right index finger is heavily and mysteriously bandaged. She’s befuddled, understandably, by the lookalike nature of all these oh-so-perfect houses, muttering under her breath as she’s trying to discern one from another. When she finally makes it to the right one, Shults’s camera swoops through the door with her, into the wary, tentative embrace an extended family—a riot of sisters, in-laws, assorted nieces and nephews and dogs, and one radiant new infant—that means well but collectively has no idea what to make of her.

Krisha, we intuit, has wronged some of these people in the past, particularly one young man named Trey (played by Shults), who resists the excessive sunbeam of affection she shines on him. And before long, their tentativeness toward her—their “how’s she doing?” solicitousness, which seems to be intended more for their comfort than for hers—begins to wear her down. We start seeing, and hearing, her surroundings as she does: The clamorousness of a football game the guys are watching on TV registers as a sort of rainstorm of ping-pong balls on steel. (The movie’s percussive, out-there music is by Brian McComber; its clever sound design is by Johnny Marshall.) If this is what cracking up is like, Krisha makes it all too believable.

What really registers is how frustrating Krisha’s erratic, furtive behavior would be if she were part of your family—and how deeply sympathetic she is because, thankfully, she is not. Fairchild’s performance is key to the movie: Krisha is witty and chatty one moment, and shut down like a deserted fairground the next. We see dazzling warmth in her eyes, but also the terror of total system failure. Most of the people in Krisha are nonactors. (Shults’s own mother, Robyn Fairchild, plays Krisha’s cautiously supportive sister, Robyn.) Over the years Krisha Fairchild had done some acting in TV and movies, as well as voiceover work, but she got her big-little break when her nephew cast her in a 2014 short film, also called Krisha. That Krisha grew into this one, which won the Grand Jury Prize in 2015 at South-by-Southwest. If Shults didn’t look far to find some of his actors, he found the right one in Krisha Fairchild: In character she looks, probably, like someone you know, only both more radiant and more prismatically troubled. You’d like to think that if she showed up on your doorstep, you’d open your arms wide. You might, or you might not. The truth, as Krisha shows us, is that refugees from the land of the lost aren’t always so easy to take in.

Maze Runner Star Hospitalized After Being Injured on Set



Dylan O’Brien has hospitalized after being injured on the set of the third film in The Maze Runner series, the studio reports.

“Dylan O’Brien was injured yesterday while filming Maze Runner: The Death Cure in Vancouver, Canada,” 20th Century Fox said in a statement. “He was immediately transferred to a local hospital for observation and treatment. Production on the film will be shut down while he recovers. Our thoughts go out to Dylan for a full and speedy recovery.”

O’Brien’s publicist, Jennifer Allen, was still awaiting details of his current condition but said early reports indicate he will recover fully.

Maze Runner: The Death Cure is set for release on Feb. 17, 2017.


This article originally appeared on.com

This British Artist Made Fine Art Inspired by Celebrity Selfies



Selfies and fine art are rarely discussed in the same breath, but British artist Jonathan Yeo argues the two are more alike than most people might think.

For his new retrospective at Denmark’s Museum of National History, Yeo has painted portraits of two women who are famous (if not infamous) for their selfies: supermodel, actor and Instagram icon Cara Delevingne, who posed for the artist six times in the last 15 months, and Danish Prime Minister Helle Thorning-Schmidt, who caused a minor scandal when she took a selfie with President Obama and U.K. Prime Minister David Cameron at the 2013 funeral for Nelson Mandela.

“The way we manipulate and read self-portrait images, or ‘selfies’, in the last five years has far more in common with the activity of the 16th-century portrait artists and audiences than any art movement since the birth of photography,” he said in a statement ahead of the retrospective, which launches this weekend and covers the past 25 years of his career.

The exhibit will also feature portraits of Malala Yousafzai, Nicole Kidman and Kevin Spacey, whose House of Cards character, Frank Underwood, was the subject of a recent Yeo portrait that hung in Washington’s National Portrait Gallery.

“Just a few years ago everyone thought the camera had killed painting, but we are starting to see it has actually saved it,” Yeo said. “Thanks to camera phones, and social media such as Instagram, we are all starting to think like painters.”

Now There’s a Personality Test for Your Cat



Cat lovers can probably sense that their feline friends have distinct personalities. Now there’s a test to help determine how to label different personality types. And early results show cats are much like us, according to a Washington Post report.

The owners of 2,800 cats in Australia and New Zealand took the personality test on behalf of their pets. Researchers used the results to identify five common personality traits: skittishness, outgoingness, dominance, spontaneity and friendliness.

The study was conducted by researchers at the University of South Australia.

Pope Francis Will Be a Pro at Instagram



Pope Francis joins Instagram under his Latin name @Franciscus on March 19, the third anniversary of his inauguration as the Bishop of Rome. Perhaps his favorite filter will be “rise.” It seems fitting with his role as the Vicar of Jesus Christ.

“For a man who admits he doesn’t know how to use a computer, it’s remarkable that Francis has been named the most influential global leader on social media,” says Michael J. O’Loughlin, author of The Tweetable Pope. “His posts inspire, console, and challenge his 30 million followers.”

By joining Instagram, O’Loughlin argues that the pope has shown that he isn’t afraid to take risks and that he understands that for the faith to spread, it must be communicated where today’s people are and in the language they speak.

Every one of Jesus’s beatitudes was fewer than 140 characters, so there’s no reason the faith’s message cannot be delivered effectively in today’s social media era.

Pope Francis has always understood that. From the beginning of his pontificate, the Argentinian pontiff has traded in the lengthy and abstract discourses of his predecessors for a more pithy and accessible message that resonates with everyday people.

Pope Benedict’s first public homily in St. Peter’s Square in April 2005 was a 3,000-word theological masterpiece on the origins of the papacy delivered in Latin. Francis’s first homily eight years later was a short, off-the-cuff exhortation to treat others with tenderness.

A master of words, Francis’s one-liners aren’t easily forgettable:

“How I wish for a Church that is poor and for the poor!”
“Satan rips us off—every time!”
“If a person is gay and seeks out the Lord and is willing, who am I to judge that person?”
“The Church is not a tollhouse. It is the house of the Father, where there is a place for everyone, with all their problems.”
But it isn’t his words alone that make Francis a compelling communicator of the gospel. There are three ancient transcendental attributes to describe the nature of God: truth, goodness and beauty. Pope Francis always communicates first God’s beauty. Describing God’s truth and goodness often requires eloquent and refined words. God’s beauty is more widely accessible. It can be communicated with simple gestures and images.

For example, on Easter Sunday 2013, Pope Francis embraced a young American child with cerebral palsy, Dominic Gondreau. The photo and the video of the scene went viral, becoming one of the most shared images of the year. In a subsequent interview with Megyn Kelly on FOX News, Dominic’s father said that in their encounter, Dominic and Francis showed the whole world how to love each other. It didn’t take a lengthy theological discourse. It didn’t even take the Bible. It took witnessing human person and a human encounter to show the world how to love.

After Jesus’ death and resurrection, Peter went to Rome to proclaim that with God’s love in Jesus, there’s a different way of doing things. In this public center of culture, he told of a new kingdom where new rules are established. In the community Peter described, the last are first, the poor are blessed and enemies are loved. Black lives matter here. LGBT lives matter here. And so, too, do the lives of the refugees, the imprisoned, the unborn, and anyone else who suffers exclusion.

Two millennia later, Francis makes a foray to Instagram—where images are the currency of choice—to continue this proclamation of God’s invitation to a revolution of tenderness.

Days before the coming Easter festivities, that’s not a bad way for a pope begin the holiest week of the year.

This Guy Turned March Madness Into the Best Bad Taylor Swift Cover Ever




For those who fill out brackets, March Madness is a time of both the highest highs and the lowest lows. Fans are consistently frustrated by teams who are supposed to be “sure things” losing to lower ranked seeds and getting knocked out of the NCAA tournament — see No. 15 Middle Tennesse beating No. 2 Michigan State on Friday.

Perhaps no one has captured this unique feeling of defeat better than Youtube user SportsChannel8, who recently shared a video of himself singing about the Big Dance to the tune of Taylor Swift’s “Blank Space.”

Read More: 7 Tips for Winning Your Office March Madness Pool

“Can I count on Kansas or will they go down in flames? Do I like West Virginia or is it Notre Dame?,” he sings as the refrain. “Got a 10-seed in the finals. Don’t tell me I’m insane, even though I’ll blame the players if they lose this game.”

Watch the full song above.

David Cameron 'puzzled and disappointed' by Iain Duncan Smith resignation



David Cameron has said he is "puzzled and disappointed" after Iain Duncan Smith dramatically quit the Cabinet and launched an all-out attack on the "indefensible" Budget.

In a brutal parting shot, the Work and Pensions Secretary complained that cuts to disabled benefits in George Osborne's financial package were "politically driven" and suggested the Chancellor had abandoned the austerity principle of "all in this together".

"I have for some time and rather reluctantly come to believe that the latest changes to benefits to the disabled and the context in which they've been made are a compromise too far," Mr Duncan Smith wrote in his resignation letter.

"While they are defensible in narrow terms, given the continuing deficit, they are not defensible in the way they were placed within a Budget that benefits higher earning taxpayers. They should have instead been part of a wider process to engage others in finding the best way to better focus resources on those most in need.

"I am unable to watch passively whilst certain policies are enacted in order to meet the fiscal self-imposed restraints that I believe are more and more perceived as distinctly political rather than in the national economic interest."

Mr Duncan Smith has been at loggerheads with Mr Cameron and Mr Osborne over whether Britain should stay in the EU, joining a handful of other Cabinet ministers in calling for Brexit. But his letter to the Prime Minister indicated that the row over cuts to the Personal Independence Payment (PIP) had been the last straw.

His announcement came hours after the Treasury signalled a humiliating climbdown over the plans to change PIP assessment criteria, which were expected to slash around £1.3 billion a year off the cost.

Government sources said they wanted to kick the proposals - initially announced by the Department for Work and Pensions last week - "into the long grass" and were not "wedded" to the savings figures featured in the Budget.

Mr Osborne has also retreated on two other Budget issues that ran into strong opposition from Tory backbenchers - promising legislation next week to abolish the so-called "tampon tax" and ruling out higher VAT on solar panels and energy efficiency equipment.

In his letter responding to Mr Duncan Smith, Mr Cameron wrote: "I regret that you have chosen to step down from the Government at this moment.

"Together we designed the Personal Independence Payment to support the most vulnerable and to give disabled people more independence. We all agreed that the increased resources being spent on disabled people should be properly managed and focused on those who need it most.

"That is why we collectively agreed - you, No 10 and the Treasury - proposals which you and your department then announced a week ago. Today we agreed not to proceed with the policies in their current form and instead to work together to get these policies right over the coming months.

"In the light of this, I am puzzled and disappointed that you have chosen to resign."

Adele To Headline At Glastonbury Festival



Adele has revealed she is to headline at this year's Glastonbury Festival.

The pop star will join rock band Muse and Coldplay as one of the leading acts at the event.

Adele broke the news to fans while performing at London's O2 arena.

The singer will top the bill on Saturday night at the festival in Worthy Farm, Somerset, the festival's Twitter page confirmed.

Glastonbury organiser Emily Eavis tweeted: "What a great honour it is to have the wonderful Adele confirmed for this year's Saturday night headline spot on the Pyramid Stage!"

News of her appearance met with a mixed reaction on Twitter

One wrote: "This ought to be interesting."

Another tweeted: "Adele headlining signals that Glastonbury is now just a family day out rather than the rock festival it used to be."

Meanwhile, the Supermassive Black Hole singers will make history by performing on the Pyramid Stage on the Friday night.

They will become the first band ever to have headlined every night of the festival, having headlined Saturday night in 2010 and Sunday in 2004.

Adele's latest album, 25, has sold more than 19 million copies worldwide.

Row over wage error prompted Army helicopter pilots to quit

The Army lost some of its most experienced helicopter pilots over a wage error that led the Ministry of Defence to demand they returned thousands of pounds in overpay, according to newly released documents.

Defence chiefs were urged to drop their bid to recover the wages after 15 attack helicopter pilots resigned over the issue that saw servicemen face paying back a total of £829,000.

The Army raised concerns that the loss of experienced pilots and instructors risked not only impacting morale, but had the potential to threaten the Apache attack helicopter squad's frontline capabilities in Afghanistan.

Around 200 attack helicopter pilots and instructors, around a quarter now retired, received overpayments of up to £30,000 each and faced action to recover the money despite officials accepting it was taken "in good faith".

Despite worries over the impact of attempting to recover the debt, the process to recoup the overpay has continued.

A June 2014 letter to MoD officials said the Army was "firmly of the view" that the debts were written off due to "compelling" operational reasons, including the fact that the cost of replacing just one pilot far exceeded the total debt.

It warned that there had been an increase in the number of pilots leaving since debts were placed on their accounts, "with 15 pilots directly citing the incorrect payment as the deciding factor in their decision to leave the Army".

At the time the document was written it took four years to train an attack helicopter pilot at a cost of £3.5 million. The cost of training an instructor was £8.5 million.

The Army said a decision to recover the pay must also be considered against the "significant risks" that losing experienced air crew and senior instructors "would cause to air safety and the longer term costs of training replacements".

It also warned: "The loss of one more Apache qualified helicopter instructor from the operational training pipeline will reduce the trained pilot output to below the level required to maintain frontline crewing ratios."

Senior Army figures were also concerned that they could lose their best and brightest pilots and instructors to the commercial sector.

The rules that governed how pilots' pay was calculated were branded "complicated and contradictory" in the documents released under the Freedom of Information Act.

They added that administrators had "inconsistently interpreted" the policy over a period of "many years", with some confusion over the system arising as far back as 2002.

An Army spokeswoman said the process to recover the overpay was continuing and each pilot's debt was being considered "on a case-by-case basis", and was not aware of any resignations linked to the debt occurring since 2014.

She said: " We have apologised and explained the circumstances of the overpayments to all of those affected. In accordance with standard Government practice, arrangements have been made to revert their pay to the correct levels and all affected personnel are now receiving the correct pay.

"The overpayment of salary has resulted in an amount of debt owed by individual personnel."

Paris Suspect Abdeslam's Prints Found In Flat

The fingerprints of Paris attacks suspect Salah Abdeslam have been found in a flat raided by police in Brussels this week.

He was probably one of two people who evaded arrest during a shootout as the building was stormed, according to Belgian public broadcaster RTBF. But this was not confirmed by officials.

One Islamist gunman - an Algerian national - was shot dead by a police sniper at the scene.

DNA belonging to the Abdeslam, who has been on the run since the 13 November attacks, was also reportedly discovered by Belgian officers during Tuesday's raid.

The flat in the Forest area of the city was targeted because officers believed it was rented under the same false identity as a hideout used by the Paris attackers in the southern Belgian city of Charleroi.

Abdeslam, a 26-year-old Brussels-born Frenchman, is believed to have played a key logistical role in the attacks on the French capital in which 130 people were killed. His older brother Brahim was a suicide bomber.

The younger Abdeslam was driven back to Brussels from Paris hours later by two friends - Mohammed Amri and Hamza Attou.

The three men were stopped near the border by French police but then released, as Abdeslam had not yet been connected to the attacks.

Abdeslam arrived in Brussels on 14 November later and was met by someone else and then police admit they "lost him".

Since then he has been the subject of an international manhunt.

Belgian federal prosecutor Eric Van der Sypt said it was not clear if Abdeslam was one of the two men who escaped from the Brussels apartment.

He said it was not clear yet how old the fingerprints are or how long Abdeslam spent there.

Responsibility for the Paris attacks was claimed by extremists from the so-called Islamic State.

The gunman killed in the Brussels flat was initially identified as Mohamed Belkaid, an IS member whose details were included in documents obtained by Sky News, but Belgian TV reported on Friday that he also went under the assumed name Samir Bouzid.

Bouzid has been on French and Belgian wanted lists since he was linked to a cash transfer to a woman killed with other suspects in the Paris attacks five days after they took place.